Friday, 14 June 2013

quietly quietly

Decorating and minor building works are likely to start here in the next couple of weeks. This is the last of it. Well. There will still be jobs to do, but it will be the end of the complete makeover that the house has had over the last couple of years. It will be the end of the chaotic heap of boxes clogging up our bedroom. And I will finally be getting my things out of storage. It seems close now, but it's a lot of work to get there.

My workspace may well be decamping back to the stool in the kitchen. Bag making may have to go on hold. The beginning of my Be Your Own Boss venture feels slightly hijacked by decorating, but if I was still in regular employment it would have taken a lot longer to happen.

In the background, I'm working on two knitting patterns. The first will hopefully go out next month. This process has been really interesting. The most surprising thing is that I'm preferring to write the pattern first, then amend it as I knit. It forces you to do a lot of preparation up front. Finalise most of the design elements. Swatch and work out gauge for different stitch patterns. Calculate sizing, and ease. And to think hard about the simplest way to put the whole thing together. For me it seems easier to go through all this it the beginning, then amend the pattern to reflect exactly what I did, than to try to remember what happened afterwards.

Today I'm leaving you with these itty bitty balls of yarn. The pin loom obsession distraction has not wained, but there needed to be a bit more blue in there. 183 to go.

 

Monday, 10 June 2013

pin loom addiction

First take a ball of wool about the size of your head.

And a load of odd balls of 4ply and left over sock wool. Then through in a wee oak square with an odd sequence of nails stuck in it.

The result. One serious pin loom addiction. It's just too easy to think "I'll just thread this thing up for another square while the dinner is in the oven."

This has been on my covet list since I saw them on the Hazel Rose looms at WoolFeast a few years ago. With a wool habit like mine, it's a wonder I didn't surcome then. I must have had a rare stroke of sensible. Either that, or only had enough cash left for a large haul of Blacker yarn.

Don't think the Zoom Loom slipped under my radar. I had the sonic knitting needles out, and repelled that attack. It was the wee gingham beauties on the Purl Bee blog that finally threw me over the edge. Well that and the discovery that the folk from BigFam15 make beautiful wee looms from reclaimed wood for not much money at all. And mine arrived all the way from the U.S. of A. in less than a week.

The looms from BigFarm15 don't come with a weaving needle. I'm using a long doll making needle which Bob put a blunt end on for me. He snipped off the end with a pair of pliers, then filed it smoth. It's okay with a sharp end, you just have to be careful not to go through the yarn rather than under and over.

(My squares are made from Carter and Parker Ltd Traditional Aran used for the first three layers. The colours are sock yarn and 4ply left overs, used for the section you weave in with the needle. You need about seven meters of yarn for a whole square. five for the white section, and two metres of yarn for the coloured section.)

The wave of sensible I was experiencing is completely over now. I think it's totally realistic to make two hundred of these, and we'll have a throw for the spare room. Hopefully I'll make it to lap rug size ...

If you have a loom without instructions, the Zoom Loom instructions are very clear and a great place to start.

Once you've mastered the basic square, head in over to the eLoomaNation website. There's loads of inspiration, and a collection of the manuals for the Weave-It and Loomette looms that were popular early in the twentieth century. You'll also find a fabulous collection of project books, full of beautify tailored dresses, coats and tops. It's so tempting to try one of the tops with knitting on bands. Perhaps after I've finished the rug.

189 squares to go!

 

Friday, 7 June 2013

BYOB in month two

Look a new colour way in the Industrious Knitter's Bag. Head over to Shop Louleigh to nab this beauty for yourself. Watch out for new bags to follow next week.

Bob came home last week, and I proudly told him I'd actually made money this month. When I told him how much he just laughed. I'm ignoring his mirth, and setting myself a goal to break even this month. Profit, wouldn't that be nice!

There have been three key challenges this month. The first has to do with supplies again! Because I'm working with recycled fabric, the nature of the material I'm working with is constantly changing. I'm choosing quality cottons; but some of them will fray more easily, and others are bulkier. You can end up tweaking seam allowances on the hoof, and finishing some fabrics can be more time consuming. This has resulted in some tweaks to my standard patterns to allow for nuances.

That eval term "capital investment" came up this month too. I've taken the decision not to put any more money into the business. I'm not taking anything back, but it would be too easy to continue to spend without any return. This decision has already helped to focus my efforts.

Insurance has also reared it's head. Amending our home insurance policy to include business use didn't cost any extra, but it was an important change to make. At some point I'm going to have to think about insuring stock, equipment and supplies as a business expense. For now though, they're included in our contents insurance.

This month my focus really needs to be on sales and marketing. I used to work for a growing catalogue company, so I know what sort of sales person I am. I also know that making phone calls (any phone call at all) and approaching people strikes terror into my soul. I'm not being funny. It really is that bad. There is only one response to this fear - GET OVER IT AND GET ON!

 

Tuesday, 4 June 2013

lemon drizzle shawl

Three shawls so far this year. That's definitely a theme. Cutting your knitting does funny things to your brain, which might explain the bout of startitise that's going on here at the moment. I was taking a short hiatus from knitting my own designs, and the next thing you know I've started three new things. The shear yellowness of the yarn can be blamed for this shawl. I should know better than to leave a lovely skein of hand dyed yellow yarn where I can see it. Bob says it reminds him of lemon drizzle cake. Know I feel like lemon drizzle cake...

The yarn came via a swap, with very little information on the label, so I don't know much about it and had to guess which is was on Ravelry. The pattern is Momijigari. I'd read some of the comments on Ravelry, and wondered if I'd be flying a bit close to the wind for yardage. (I've just dashed down stairs to the kitchen scales and the shawl weighs in at 73g. 27 grams was exciting until my notes confirmed this wasn't quite enough for lemon drizzle booties. I might have to get into multi coloured boots.) The garter stitch triangle didn't look all that long when I came to the end either, so I was having wobbles about having enough yarn AND having enough scarf at the end. If you're part way through the pattern, be assured, 400 metres is plenty.

Well this was the second of my three starts. I'd better get back to the other two. More finishing glory, and some glorious inspiration to follow.

 

Friday, 31 May 2013

when to say no... or maybe

Now that I've started working for myself people have been asking me to make things for them. This has been a real quandary. These are my friends, and in the past I probably would have done it out of friendship.

At first I said yes to a job that didn't really fit with my business model. It was a bit of an experiment, and I needed the money. And there might have been a way of spinning out the idea into a new product.

The second request I initally flatly refused even though it did fit in with my goals. I assumed the person was underestimating the cost of materials and time involved. And that it might distract from work that would have a greater long term gain.

I was planting out lettuces when it occurred to me that the answer to these requests needed to be better thought through. (Lettuces are a great help when you need an epiphany.) On one side I need to be properly paid for my work, and to make sure that the project is properly throught through from the outset. The flip side is that some custom orders may have spin off benefits, and I need to determine what these are and how realistic they are. On this occasion I went home and priced out the job, and gave a quote. The customer can decide if he's willing to pay a fair price.

The other side of this is that I don't talk about the things I'm working on. This is deliberate. There have been a couple ideas that just haven't worked out the way I'd hoped. I don't view these as failures. There might be a day in the future where a mid afternoon stroke of genius sorts out the problems. Or they may just stand as valuable lessons. My concern is that other folk will think of them as failures, so I don't discuss. The result of this is that it looks like I'm not doing anything. Folk just don't see you up at midnight trying to work out if you have to be VAT registered, or making checklists of the things you need to do to market your product better! And their offers of work are given in kindness.

Having an approach to new requests actually makes me feel more "business like", and in control of my income stream. I hope it'll help me deliver better customer service to folk who have put a little bit of "blind faith" in me!

 

Wednesday, 29 May 2013

stash busting Norwegian sweater - part three

Last time we spoke about this puppy, you had just finished a torso piece and two sleeves. Today we going to be mentioning the S word. That's right, your going to cut a hole in all that neat colour work. You're going to need to steek, otherwise you'll just have some fairly useless tubes.

First, charge your coffee cup.

Start by weaving in all the ends. Some folk don't bother to weave in the ends where they might be cut off when you're steeking. I weave them all. Having extra ends hanging about the back of your work can be confusing, and if you weave them all in it's easier to catch them in your steek.

Next you need to select the method of steeking you feel most comfortable with. My Norwegian Aunty sews her steeks using her sewing machine. I've chewed up enough fabric under me presser foot to feel a bit nervous about putting my knitting near any machine. Hundreds of other folk have done this successfully, so don't let me put you off doing this yourself.

If you have never steeked before, head over to Kate Davies website. She's written some wonderful posts on the theory behind steeking, and demonstrates a crocheted steek. Until now this is the method I've used, and it creates a firm neat edge.

On the Stash Busting Sweater I've used a new (to me) method. I wasn't complete happy with the crocheted method as the finish was a little bulky, and tends to roll over on its self. I'm not all that confident with a crochet hook either. This time I've used the hand sewn method discribbed in this video from the folk at Knitpicks. I found this hand sewn steek really easy, although maybe not as robust as a crocheted steek. I would use this method again where the cut edged was going to end up being enclosed, and hidden away.

The sleeves are the easiest section to steek because you simply secure a line of stitches on either side of the seam line. First, lay the sleeves out flat and measure along the top. Then take the torso piece, identify the side seams, and measure the same distance from the cast off edge down the side seam. Mark this with a pin. There is a chance that your sleeves are slightly different widths, they are hand knitted after all. Choose the shorter length, and mark both steeks the same. Secure the stitches using what ever method you've chosen. (You could try them all if your feeling experimental.) Then bite the bullet and cut! Now it's just a simple matter of sewing in the sleeves, and stitching that clever little facing over the cut edge.

The next step is to sew the shoulders closed. You'll need to leave a gap equivalent to half the circumference of the head. (Remember the standard measurements.) You could cunningly graft this together so it looks seamless. Norwegian Aunty uses a lovely technique where she puts her needle horizontally through the inside legs of the corresponding stitches. It makes this beautiful braided effect. Hopefully you can see it below on Marius Genser.

Steeking the neck is trickier, but not much. No matter what shape of neckline you choose, it needs to be at least 5cm deeper then the shoulders, or it will rub and be dreadfully uncomfortable. I chose the shawl collar so that just couldn't happen. And so that the Number One Nephew would have lovely soft merino round his neck.

Find the middle front stitch and mark it. Work out how deep you want the neck to be. On Marious Genser I made the neckline 5cm deep. On SBNS the neckline is about level with the armpits. Pick up the stitches along the bottom of the neckline. You don't need to secure these stitches in the steek because you're going to knit them straight up. As you can see, I marked the neck line with pins and tailors chalk before sewing. This is another reason I like the hand sewn steek, I find it easy to work on a diagonal.

Then pick up the stitches for your chosen neckline. I did this before cutting away the neck piece so as not to stress the steeked stitches while I was picking up.

A crew neck is probably the path of least resistance. Once you've picked up the neck stitches, knit about six to ten rounds of ribbing. Then purl one round, do another six to ten rounds of ribbing, and cast off loosely. Fold over where you've done the row a purl, and you have a nice facing to stitch over the cut edge inside the neck.

The shawl collar was started from the left side of the base stitches. Ignore the base stitches to begin with. I worked up the side of the neckline in 2x2 rib, and across the back stitches. Turn your work when you arrive at the second shoulder seam. I turned again when I arrived back at the first shoulder seam. Continue working short rows, extending each one by about four stitches until you arrive at the base of the neckline on the opposite side to where you started. Then turn and knit back across all the stitches. When you get to the end of the row, pick up the of the first base stitch, and knit it together with the last of the side stitches. You do this at the end of every wrong side row. Once you picked up all the base stitches, cast off loosely. I used a tubular cast off.

Now carefully cut out the neck piece inside the steek. That's the last of the cutting. You could put bias binding round the cut edge for neatness, but it is quite secure as it is. Sew the unsecured side of the collar inside the base of the neckline.

Well there you have it. One neatly finished Norwegian Sweater, as traditional or madly bright as you like.

(NB Other knitters will want to turn this garment inside out. Don't be alarmed. This is sometimes followed be quiet oooooohs and aaaaaaahs. And may be the odd, "That's how you do it.")

 

Sunday, 26 May 2013

the view from the kitchen sink

Celia from The Kitchens Garden issued a challenge this week to show the view from your back garden. The weather is truly horrendous here today, so we've only gotten as far as the kitchen sink! Like everything else, our garden is a work in progress. You are being subjected to these 'before' photos in the hopes that there will be a 'reveal' before the end of the summer. There are three improvements I'd like to make, but I'm not even going to say what they are, you'll just have to wait till time allows.
That wee gaggle of plants on let left, by the bins, are the bit I'm most proud of at the moment. That's the dry shade garden. They came from a nursery that specialises in plants for dry shade. I've repotted them and not much more. They're doing brilliantly.

This is the actual view from the back door. Lets not even talk about that!